Series: The Witcher
Author: Andrzej Sapkowski
Genre: Grimdark Fantasy
Number of Books: 8
Total Pages: 3,404
Rating: 3 of 5
If you enjoy grimdark fantasy and don’t mind moderate amounts of profanity, sex, and gore, this is probably right up your alley. Personally, I swung back and forth on how much I enjoyed it depending on the book and my mood (but enjoyed it enough to finish the series).
Our hero, Geralt the Witcher, makes his living by slaying monsters with his magically, genetically, pharmacologically enhanced fighting ability…kind of. He actually spends the bulk of his time bedding sorceresses, navigating political intrigues, and attempting to rescue/protect the Child of Destiny. I enjoyed his character’s sense of responsibility and overall decency in a dark world, but his need to sleep with every attractive woman he comes across (especially if she’s a sorceress) got really old (especially since he’s supposedly so in love with Yennefer).
The first two books (The Last Wish & Sword of Destiny) are short story collections that mostly involve monster-slaying and fairytale mashups, but also set up a few characters and situations for the main Witcher Saga. Once the Saga starts (in Blood of Elves), monster-slaying largely falls by the wayside and we are treated to a complex swirl of rebellions, invasions, pogroms, court intrigue, and any other nasty human behavior you can think of…most of it centered in some way around the remarkable young woman, Ciri, to whom Geralt (and various companions met along the way) are bound by destiny.
The plotting of the Saga is impressive, but the farther you go into it, the more depressing it gets. Even when a character survives a dangerous situation, Sapkowski often feels the need to jump ahead and describe the pointless/ignominious way in which they will die in the future. The Lady of the Lake ends the saga ambiguously enough that you can kind of decide for yourself how sweet or dark you want it to be. The final book (Season of Storms) is a prequel to the Saga that goes back to being more monster-slayer oriented, but it should not be read first since the ending would make little sense without having read the other books.
As far as narration, large parts of the story are told in flashback with a wide variety of framing stories. One chapter will be [Character X] catching [Character Y] up on what has happened since they last met, and the next chapter will be a storyteller recounting events surrounding Geralt as legends from the misty past or a historian researching “what really happened” with Geralt and company several centuries ago. It’s odd and a bit disorienting, but I think it works to give the sense of these being legendary events of which there might not be a “definitive version.” Bolstering this impression, there are frequent references and parallels to fairytales, Arthurian legends, Shakespearian plays, etc.
I listened to the audible versions read by Peter Kenny, and he did an excellent job providing character voices and accents. To me, the audiobook format made it a little more difficult to keep track of the many, many characters involved in the various intrigues, but it was worth it.
Overall, I don’t know if I would ever read or listen to these again, but that probably has more to do with my personal taste than any deficiency in the author’s writing style. I think that the Black Company novels are about as grimdark as I can comfortably go in the fantasy world.