The Back to the Classics Challenge is a fun incentive/excuse to mix some classics into your reading for the year (and there’s a chance to win $30 in books, so win-win!). It’s not too late to sign up if you’re interested…just click the graphic to the left. Anyway, I’ve finished two more books for the challenge, so time for a pair of reviews!
Title: Through the Looking Glass
Author: Lewis Carroll
Genre: Children’s Classic
Rating: 4 of 5
A few years ago I read Alice’s Adventures in Wonderland and was unimpressed. I found it obnoxious and shrill as the whole thing consists of Alice being rushed about and berated for being confused by the nonsensical world of Wonderland. The random nonsense level in Through the Looking Glass was about the same, but I enjoyed it a lot more. Alice’s imagining to herself was charming, the wordplay was a lot of fun, and who doesn’t love the poem Jaberwocky (to say nothing of the classic illustrations)? This classic weirdness is well worth reading.
Title: The Way We Live Now
Author: Anthony Trollope
Genre: Classic Satire
Rating: 3.5 of 5
In this satirical novel, Trollope skewers late 19th century British high society. The sprawling story was originally published as a serial, and I think that Trollope couldn’t quite decide (or changed his mind partway through) about which character or plot thread was primary.
No matter which character of plot thread you follow, the overarching concern seems to be the manipulation of other people…usually for money, matrimony, or both. Trollope casts a cynical eye on mercenary marriages, feckless young men, and financial scandals.
None of the characters are pure as the driven snow (except for a couple of the young women who act like complete ninnies for most of the book). Few of the characters are sympathetic, but some of them are interesting. One character particularly caught my attention due to some similarities to a certain orange individual who shall remain nameless: a businessman much fawned upon because of his reputed wealth (despite rumors of past failed businesses and shady dealings) who enters politics as a conservative though having few real personal convictions.
Like a lot of satirical novels, the overall effect of the story arouses disgust more than amusement. Trollope doesn’t often demonstrate the witty turn of phrase that some satirists use to at least elicit a snort of derisive laughter. This makes parts of the book a bit of a slog, but overall it’s readable and insightful as long as you don’t mind a cast almost entirely void of sympathetic characters.