Title: “I Heard You Paint Houses”:
Frank “The Irishman” Sheeran & Closing the Case on Jimmy Hoffa
Author: Charles Brandt
Genre: True(?) Crime
Rating: 4 of 5
I was living in Scranton back when this book came out, and it made quite the splash. Russell Bufalino, who figures prominently in the story, had been a local (I lived within walking distance of the borough where some of the early scenes take place…I miss all those little pizza joints!), and the whole Scranton-Wilkes Barre area still has a pretty corrupt “mobby” vibe even if the Bufalino family is allegedly no longer active (I won’t go into local “open secrets” and things observed while working as a bank teller for 3 years). Anyway, I finally got around to reading this, and even though disappointingly little occurs in the SWB area, it was interesting in a horrifying kind of way.
Most of the book is comprised of huge block quotes from Frank “The Irishman” Sheeran, culled from years of interviews with the author. The author occasionally interjects paragraphs of his own to explain events, but this is mostly the story of Jimmy Hoffa’s murder (and tangentially connected events related to the Teamsters, the Kennedys, Cuba, Nixon, etc.) as told in Sheeran’s own words. Some aspects of Sheeran’s story are annoyingly repetitive or confusingly organized, but given how much interview material the author must have had to sift through and edit into a readable story, it’s fairly impressive in its coherence.
Sheeran is cold and largely remorseless as he casually talks about “taking care of” people for the mob and the Teamsters (and, before that, for the US Army). He paints a disturbing picture of the utter corruption, casual violence, and immense influence of both unions and the mafia in their heyday. (Joe Biden even makes a brief appearance as the Teamsters suppress an edition of a newspaper that was running large-scale attack ads against him when he first ran for congress.)
It’s hard to say how much of Sheeran’s story is accurate and how much is braggadocio. The actual description of events immediately surrounding the murder of Jimmy Hoffa takes up a relatively small number of pages and is probably the most believable part since the author offers some corroborating evidence. Other aspects, like Sheeran’s sexual prowess, number of murders, or minor involvement in the JFK assassination, seem a bit more iffy.
Overall, I don’t think there’s any way to know how accurate this is, but it does provide a darkly fascinating look at power, corruption, and murder.