Posted on by Joelendil

She kills them one by one…

Title: The Bride Wore Black
Author: Cornell Woolrich
Genre: Pulp Mystery/Crime
Pages: 288
Rating: 3.5 of 5
Future release date for this edition: 1/5/21 (Thank you to the publisher for a free eARC via NetGalley. This in no way affects the content of the review)

I like reading Cornell Woolrich (in small doses). His plots are improbable, some of his metaphors are absurd, and his writing just isn’t up to the level of Dashiell Hammett or Raymond Chandler, but that man knew how to ratchet up the tension in his cheap noir potboilers.

The Bride Wore Black follows a fairly typical Woolrich plot of a group of seemingly unrelated people being killed off one by one while a police officer tries to discover and stop whatever is going on. The author’s usual steadily building suspense is definitely there, though not quite as much as in Rendezvous in Black or Night Has a Thousand Eyes. He varies how much he shows us of the planning and execution of each murder, which keeps things from becoming too repetitive (and he has a trick or two up his sleeve as well). The final explanation comes a bit out of left field (and if it weren’t for the book’s title it would be even more so), but it (mostly) makes sense and provides a satisfactory noir ending.

As far as this new edition from Otto Penzler, there’s not much to say. The only new material is a competent introduction by Eddie Muller who extolls Woolrich without getting too hero-worshippy and without major spoilers. It’s a nice uncluttered edition of a pulp classic.

Posted on by Joelendil · 4 Comments

Back to the Classics Wrap-up

Since I just finished my final book for the Back to the Classics 2018 challenge, it’s time for the big wrap-up. A huge thank you to Karen @ Books and Chocolate for putting this together and hosting it. It provides great incentive to include at least a dozen classics in the year’s reading. I read a book for each of the twelve categories, so I get three entries in the final prize drawing. My books for each category were:

A 19th Century Classic: Idle Thoughts of an Idle Fellow by Jerome K. Jerome – This collection of humorous essays is a must-read for fans of wry humor (as long as you don’t mind wading through a lot of maudlin sentimentality that may or may not be intended humorously).

A 20th Century Classic: Doctor Faustus by Thomas Mann – This modern retelling of the Faust legend explores the connection between genius and madness, but by the end I found it overblown and pretentious.

A Classic by a Woman Author: Silas Marner by George Eliot – I greatly enjoyed this “reclamation” story which is something along the lines of a non-supernatural version of Dickens’ Christmas Carol (Dickens loved it and wrote  her a “fan letter”).

A Classic in Translation: The Count of Monte Cristo by Alexandre Dumas – I know I’m in the minority, but I didn’t care for this classic tale of revenge.

A Children’s Classic: The Wind in the Willows by Kenneth Grahame – I will be recommending this charming little book to my children.

A Classic Crime Story: The Grifters by Jim Thompson – Thompson provides the fairly standard downward-slide-into-tragedy that you expect from this kind of crime noir but with some creepy oedipal stuff in the mix. Well written, but a bit too sleazy for my taste.

A Classic Travel or Journey Narrative: The Canterbury Tales – In spite of the (to me) unfunny obsession with adultery & misogyny, Chaucer is witty and adept at painting memorable characters.

A Classic with a Single-word Title: Nostromo by Joseph Conrad – Conrad displays his trademark bleakness here. Personally, I think it packed more impact in the much shorter Heart of Darkness than in this 400+ page depressing book.

A Classic with a Color in the Title: Black No More by George S. Schuyler – This biting satire is by turns hilarious and grim as the author explores an alternate US in which a medical procedure can turn black people into white people.

A Classic by an Author That’s New to You: Rebecca by Daphne Du Maurier – I wouldn’t necessarily say that I liked this book, but the atmosphere and characterization were superb.

A Classic That Scares You: The Old Man and the Sea by Ernest Hemingway – I hated Hemingway in high school, but decided to be brave and give him another shot. I didn’t hate it this time, but he’s still not my cup of tea.

Re-read a Favorite Classic: The Poetic Edda by Anonymous – Who wouldn’t want to read about cross-dressing Thor, Loki getting in an insult contest with the rest of the gods, and the final showdown at Ragnarok?

And there you have it! (If I happen to win the drawing you can contact me Here.)

Posted on by Joelendil · 7 Comments

A Dish Best Served Cold

Title: The Count of Monte Cristo
Author: Alexandre Dumas
Translator: Robin Buss
Genre: Classic
Pages: 1,276
Rating: 3.5 of 5

This classic tale of revenge served cold was entertaining enough, but was ultimately a bit disappointing. In my limited experience with Dumas (The Three Musketeers & The Count of Monte Cristo), I’ve come to the conclusion that if you’re going to really enjoy his stories you need to just cheer for his heroes without thinking too much about the morality of the actions that you’re supposed to be applauding. There’s some token introspection from Dantes about whether he is truly right in seeing himself as God’s instrument of justice, but it tends more toward self-justification than interesting moral consideration.

Personally, I found Dantes/Monte Cristo to be so coldly calculating and unsympathetic toward anyone he did not personally know and love that he was almost completely unappealing. I don’t necessarily mind antiheroes, but something about the way Dumas tries to get us to adore and cheer for his deeply flawed heroes as if they were remarkably admirable human beings grates on me. Your mileage may vary (Obviously, I’m in the minority on this since Dumas has enduring popularity).

I’m not sure how this translation compares to others, but I can say that it flowed nicely without feeling stilted. According to the forward, the translator restored parts that were removed or toned down in older Victorian translations. I appreciate this, because even though the plot was overlong and meandering, I want to read an author’s work as close as possible to how they intended it. The footnotes provided helpful historical information for those (like me) not well acquainted with French history. Overall: I’d say that this was an excellent edition of a classic that is more about enjoying the plot than wrestling with the morality of vengeance.

One last thing: I’m using this for my Classic in Translation category at the 2018 Back to the Classics Challenge.