Life is still pretty chaotic at our house, but I’ve finished another book for each of the two reading challenges I’m doing this year. First, for the Back to the Classics 2022 Challenge I completed this book for the Classics Short Story Collection category:
Title: An Obsession with Death and Dying: Volume 1
Author: Cornell Woolrich (aka William Irish, George Hopley)
Genre: Classic Pulp Fiction
Rating: 4 of 5
Cornell Woolrich falls into my second tier of Pulp crime/detective fiction authors. He’s no Dashiell Hammett or Raymond Chandler, but still worth reading if you enjoy the genre. Woolrich knows how to crank up and maintain suspense, even if his endings tend to be either painfully predictable or so out of left field that they barely make sense.
This collection in honor of his 50th “death-day” pulls together 10 of his stories that have the word death or die in the title. It’s a mixed bag, that gives a pretty good feel for what Woolrich is capable of. I’d definitely recommend it to fans of classic pulp detectives.
The second book I’m reviewing is from my list for The Official TBR Pile Challenge. This book has been hanging out on my TBR pile for a couple years since Amazon insistently recommended it because of my interest in weird/cosmic horror fiction:
Title: The Twenty Days of Turin
Author: Giorgio De Maria
Translator: Ramon Glazov
Genre: Weird Fiction / Satire
Rating: 4 of 5
Since I’m not up on 1970’s Italian political history, I doubt that I caught all of the satirical nuances in this Italian novel that recounts a “mass psychosis” tragedy in Turin (as researched and retold by our intrepid narrator). That said, it still works as a creepy piece of weirdness with themes of voyeurism, paranoia, insomnia, uncaring powers, and more.
It became clear to me what was going on fairly early in the book (intentionally on the author’s part, I think). However, the characters’ unwillingness or inability to do anything about it or even acknowledge it is what provided a lot of the disturbing atmosphere. Also, I’m not quite sure what the author intended “the library” to represent in his original context, but it came across as a prescient warning against some of the darker aspects of social media. I’m really not sure what else I can describe without starting to give things away, but if you’re in the mood for something strange and paranoid check this out.