My reading is starting to outpace my reviewing again, so it’s time for some mini reviews. In honor of October, I’ll focus on my recent horror/gothic/weird reads. Presented in order read:
Title: Last Days
Author: Brian Evenson
Genre: Cult-related Horror
Rating: 3.5 of 5
There’s nothing supernatural in this crime novel, just the horror of human beings with wicked hearts and weird beliefs. In this case, the belief that voluntary amputations are pleasing to God (the more, the better!). The plot follows a former cop who suffered a traumatic injury and is now being forced to investigate a crime related to the internal workings of this amputation cult. This was a disturbing, disorienting read with moderate amounts of profanity and a lot of gore. Don’t read the intro as it contains spoilers (and is pretty pretentious besides).
Title: The King in Yellow Rises
Authors: Ambrose Bierce, Edgar Allan Poe, Lord Dunsany, Robert W. Chambers, and Others
Translator (and Editor?): Kent David Kelley
Genre: Classic Weird Fiction
Rating: 4 of 5
This volume collects Robert W. Chambers’ original King in Yellow stories as well as classic works that influenced or riffed on his ideas. There is no denying the quality of the stories contained here or their influence on later weird fiction and cosmic horror. The editor (I think it is the same person listed as the translator) is what cost this book a star. I appreciate him rounding up these stories and printing them all in one place, but his commentary is sporadic and uneven in style. He wraps up the book with a rambling section about these stories’ influenced on H. P. Lovecraft and then apologizes for not including any Lovecraft stories (yet) because he’s not sure if they’re in the public domain…but he promises to add these and others later if he is able. It all felt a bit unprofessional.
Title: The Invisible Man
Author: H. G. Wells
Genre: Classic Sci-Fi
Pages: 167 (usually quite a bit shorter, but this was an illustrated edition)
Rating: 3.5 of 5
This isn’t really horror/weird, but the invisible man was one of those classic black and white movie monsters, so I’m including it here. This is a pretty slow book, taking way too long to get to the big reveal that this mysterious stranger is an invisible man (which seems especially pointless given its title). After we finally get that out of the way, things get a little more interesting as we see how being invisible might affect a person mentally and morally. Add in some solid cat and mouse stuff toward the end, and it’s an interesting enough read.
Title: The Necromancers
Author: Robert Hugh Benson
Genre: Moralising Gothic Fiction
Rating: 2 of 5
This book amounts to little more than a warning against Victorian era spiritualism (as well as any other dabbling in communication with the dead). As a Christian I wouldn’t disagree with the overall point, but it’s a pretty dull read for the most part. After a lot of breathless hinting about the grave spiritual dangers and some minimally described seances, we finally get some real creepiness and ill-defined spiritual confrontation around the 85% mark. Meh.
Title: The Abyssal Plain: The R’lyeh Cycle
Editors: William Holloway & Brett J. Talley
Genre: Splattery Cosmic Horror
Rating: 2 of 5
The four loosely linked short stories in this volume describe a world in which “the stars are right” and the old ones have returned. Cthulhu’s spawn rampage across the drowned world as civilization falls apart and strange cults rise. As with any anthology, quality varies, but the first story was just too much for me. It was about life-destroying decisions and addictions with Lovecraftian elements as a mere backdrop/counterpoint. I guess it was clever in that it showed that realistic graphicly described human misery is more disturbing than splattery sci-fi, but the torrent of profanity, booze, drugs, vomit, adultery, abortion, theft, murder, and other human misery and self-destructive behavior was more than I wanted to read. The other three stories were fairly standard (if extra splattery) post-apocalyptic Cthulhu fare that could definitely hold their own within the genre.