She kills them one by one…

Title: The Bride Wore Black
Author: Cornell Woolrich
Genre: Pulp Mystery/Crime
Pages: 288
Rating: 3.5 of 5
Future release date for this edition: 1/5/21 (Thank you to the publisher for a free eARC via NetGalley. This in no way affects the content of the review)

I like reading Cornell Woolrich (in small doses). His plots are improbable, some of his metaphors are absurd, and his writing just isn’t up to the level of Dashiell Hammett or Raymond Chandler, but that man knew how to ratchet up the tension in his cheap noir potboilers.

The Bride Wore Black follows a fairly typical Woolrich plot of a group of seemingly unrelated people being killed off one by one while a police officer tries to discover and stop whatever is going on. The author’s usual steadily building suspense is definitely there, though not quite as much as in Rendezvous in Black or Night Has a Thousand Eyes. He varies how much he shows us of the planning and execution of each murder, which keeps things from becoming too repetitive (and he has a trick or two up his sleeve as well). The final explanation comes a bit out of left field (and if it weren’t for the book’s title it would be even more so), but it (mostly) makes sense and provides a satisfactory noir ending.

As far as this new edition from Otto Penzler, there’s not much to say. The only new material is a competent introduction by Eddie Muller who extolls Woolrich without getting too hero-worshippy and without major spoilers. It’s a nice uncluttered edition of a pulp classic.

Audiobook Mini-Reviews

The last week and a half has been a bit rough here with myself and all three of the kids sick (my amazing wife activated Mommy-immunity and stayed mostly healthy). So, while lying miserably in bed or on the couch I made it through four audiobooks that I’ll be review now. I had a fever, headache, etc. through most of the time I was listening to these so take everything I say with a grain of salt. I don’t really have any comment on the narrators other than nobody stood out as either terrible or phenomenal.

What Ho, Automaton! (Reeves & Worcester Steampunk Mysteries Book 1) by [Dolley, Chris]Title: What Ho, Automaton!
(Reeves & Worcester Steampunk Mysteries – Book 1)
Author: Chris Dolley
Genre: Steampunk Mystery Parody
Pages: 292
Rating: 4 of 5

This is clearly intended as a parody of P. G. Wodehouse’s Jeeves & Wooster stories, and I’d say the author nails it. He captures the tone perfectly while transforming Jeeves (Reeves) into a steam-powered automaton and giving Wooster (Worcester) delusions of being a consulting detective on the order of Sherlock Holmes. Like the Wodehouse original, it’s light, breezy fun.

The Scapegoat by [du Maurier, Daphne]Title: The Scapegoat
Author: Daphne du Maurier
Genre: Classic Crime?
Pages: 348
Rating: 2.5 of 5

In this unlikely tale, a boring British professor of French history (John) meets his aristocratic French double (Jean) who (more-or-less) forces him to switch places. It turns out his French doppelganger is a morally reprehensible person from a family with a myriad of unsavory secrets. The story slowly unfolds as over the next week John plays at being Jean, uncovering and tinkering with the workings of the corrupt de Gué family. There is some interest in the slowly unfolding story, but overall it is completely unbelievable and has a non-ending that leaves pretty much all the storylines up in the air (and I really didn’t appreciate the casual attitude toward a married man having a mistress…especial with her seemingly being one of the wisest/best people in the book).

The House Of Night And Chains (Warhammer Horror) by [Annandale, David]Title: House of Night and Chain
(Warhammer Horror)
Author: David Annandale
Genre: Sci-Fi Horror
Pages: 244
Rating: 2.5 of 5

This is a fairly standard haunted house story set in the Warhammer 40K universe. Early on, an awful lot of time is spent on details of political maneuvering that is completely overshadowed and made largely irrelevant by the avalanche of events and revelations later in the book. The Warhammer 40K setting doesn’t contribute much to the story other than making local government into planetary government, substituting a cleric of the Emperor for a priest of God, and similar cosmetic tweaks. If you’re into haunted house stories you might enjoy it…I found it pretty “meh.”

The 7 ½ Deaths of Evelyn Hardcastle by [Turton, Stuart]Title: The 7 1/2 Deaths of Evelyn Hardcastle
Author: Stuart Turton
Genre: Trippy Mystery
Pages: 480
Rating: 4.5 of 5

This book starts like a classic “murder at the manor house” kind of story, but things quickly get all wibbly-wobbly timey-wimey. I don’t want to give away too much since figuring out what is going on is half the fun. The over-simplified version that’s not any more spoilery than the back cover of the book is: our narrator inhabits 8 different witnesses, reliving the same day 8 times trying to solve (or stop) a murder. Most of the people involved have a nasty secret or two, and the twists, turns, and surprises come thick and fast all the way up to the end. I think that in the end it all weaves together nicely and makes sense, but I’d have to read it again (when I’m not sick) to be sure. It’s well worth reading and will probably make my “top 5 fiction” list for the year.

Sympathy for the Devil?

Image result for heart of darkness and the secret sharer bantamTitle: Heart of Darkness & The Secret Sharer
Author: Joseph Conrad
Genre: Classic Novellas
Pages: 237
Rating: 4 of 5

I would categorize these classic novellas as interesting rather than enjoyable. In them, Conrad displays his usual bleak view of human nature and society.

Heart of Darkness records a barely fictionalized account of Conrad’s own experience piloting a steamer in the Belgian Congo. It pairs well with King Leopold’s Ghost (which discusses it at some length). Unlike King Leopold’s Ghost, which reflects current attitudes toward racism and colonialism, Heart of Darkness is loaded with product-of-its-era prejudices. The narrative deplores the dark and horrifying nature of the European characters while at the same time showing a general contempt for the Africans who are on the receiving end of their cruelty.

Our narrator’s response to “what evil lurks in the hearts of men” is complex. He is disgusted by the pettiness, greed, and violence of the Belgian traders but fascinated by the charismatic Kurtz who started out with seemingly higher ideals but has done far more horrifying things. His feelings for Kurtz teeter between sympathetic defense and disgusted horror. Trying to untangle the message of this bleak classic provides an interesting challenge. (Also, I’m using this for my Classic Novella category for the Back the the Classics Challenge)

The Secret Sharer features another narrator who sympathizes with a dark-hearted character. In this tale, a young captain hides a fugitive aboard his new ship. He becomes oddly obsessed with the idea that this self-confessed murderer (“justifiable homicide” of course) is his double. Tensions escalate between the captain and his new crew due to the secretive, bizarre behavior required to keep the “secret sharer” of his cabin hidden. While quite different in tone from Heart of Darkness, it includes the same tangled message of a sort of sympathy for a cruel person paired with a cynicism toward society.