Title: Classic Monsters Unleashed
Authors: 30 of “the biggest names in the genre” (according to Amazon)
Editor: James Aquilone
Genre: Horror Story Anthology
Rating: 3.5 of 5
Future Publication Date: July 12, 2022 (Thank you to the authors and publisher for a free eARC via NetGalley. This in no way affects the content of the review.)
Your enjoyment of this collection will hinge quite a bit on how much you know and appreciate classic monster stories, especially as they have been portrayed on the big screen. With most of the entries you need at least a passing knowledge of the original (or classic screen-adapted) version for the “unleashed” story to really make sense.
There is good variety in the monsters/creatures featured across the collection. I think that Dracula, Frankenstein’s Monster, and werewolves are the only ones to make multiple appearances with 2-3 apiece (pretty impressive in a collection of 29 stories).
That being said, most of the plots fell into just a handful of categories used in various combinations:
- Classic monster returns to cause more mayhem.
- Try to guess which monster this is about before the big reveal…
- Recast monster as misunderstood victim and/or hero as the villain.
- Gender swap characters.
- Engage in social commentary on gender or race.
I preferred the stories that built on the already-established characters rather than completely re-imagining them, but that’s just my personal taste.
Stylistically, this was a mixed bag. Some stories felt stilted, as if the author was just phoning it in and checking off the boxes needed to make a creature feature. Others demonstrated creativity and variety in language usage (including annoying but clever use of textspeak in Dacre Stoker’s offering). I would say that the well-written outnumber the “meh.”
Overall, this is worth a read if you are into classic monster horror. However, as with many bulky themed anthologies, you might want to take some time between stories so that they don’t start to sound repetitive.
Title: The Invasion of the Body Snatchers
Author: Jack Finney
Genre: Classic Sci-Fi
Pages: 224 (6 hours, 39 minutes Audiobook as read by Kristoffer Tabori)
Rating: 4 of 5
The otherworldly “what is going on?!” suspense of this book hits the exact tone that I like when I read a creepy story. Sure, everyone knows the gist of the story by now, and the “science” is a bit hokey and dated, but it can still ratchet up the tension if you take it on its own terms.
That said, one aspect of the story grated a bit, even if it was a “product of its era.” The protagonist’s leering, condescending tone toward women got old really fast (and the bored, macho tone of the audiobook narrator really emphasized it). At one point his love interest kind of calls him on it, but her overall demeanor goes right along with it.
Overall, if you want a quick suspenseful read and are willing to overlook a bit of B-movie style hokeyness and product-of-its-era casual sexism, this is worth your time.
Title: Frankenstein or the Modern Prometheus
Author: Mary Wollstonecraft Shelley
Genre: Classic Gothic
Pages: 222 (8 hours, 20 minutes Audiobook as read by Simon Vance)
Rating: 3.5 of 5
I know that this classic is widely lauded as a work of pioneering genius. I even understand why: we have the cool backstory of how the book came to be written, we have the hubris of Victor Frankenstein, we have the tragic “monster,” we have the question of who is to blame for the “monster’s” evil, and we have all kinds of other great themes and wonderfully gothic moral dilemmas. But for all that, I have a hard time appreciating this book. This is the third time I’ve read this, and it just annoys me every time no matter how much I want to like it.
Victor Frankenstein is such an absurdly overemotional, egotistical drama queen that he just makes me roll my eyes in disgust the whole time. He seems to spend most of his time swooning, languishing near death, and moping around because he’s just soooo overcome with emotion. He’s so self-absorbed that he can’t be bothered to tell anyone that there’s a powerful, murderous “creature” on the loose thanks to him…not even when it could potentially save people’s lives by doing so! Victor’s melodramatic twit act that morphs into vengeful monomania when there’s nothing left to lose is just too much gothic nonsense for me.