Flat Franchise Fiction

The last three free eARC books I received from NetGalley were franchise fiction, and I’ll be reviewing two of those today. No one expects great literary genius from shared-world, movie spinoff sci-fi, but I was hoping for a little better than what I got. Thank you to the authors and publishers for the free copy via NetGalley (this in no way affects the content of the reviews as we shall see).

Marvel's Black Panther: Sins of the King Episode 1 by [Ira Madison III, Mohale Mashigo, Geoffrey Thorne, Tananarive Due]

Title: Marvel’s Black Panther: Sins of the King
Authors: Ira Madison III, Steven Barnes, Tananarive Due, Mohale Mashigo, Geoffrey Thorne
Genre: Superhero
Pages: 183? (not quite sure…numbering in the eARC was squiffy)
Rating: 2.5 of 5

The episodic plot of this book would make a decent movie or TV series. There’s plenty of action, intrigue, brooding, magic-science… all the usual superhero stuff. I would pay to watch that movie.

However, what works in a movie, cartoon, or comic book does not necessarily work in a novel. Much of the writing was stilted and clunky (to say nothing of uneven since different “episodes” were written by different authors working singly or in pairs). To be charitable I’ll assume the problem lies in the genre rather than the authors’ writing talent…I have tried a couple other (DC) superhero novels in the past and found their writing similarly awkward. Perhaps superhero stories need to be told in a visual medium?

Title: From a Certain Point of View: The Empire Strikes Back
Authors: Too many to list
Genre: Star Wars Fanfiction Short Stories
Pages: 576
Rating: 2.5 of 5

Any short story collection is a mixed bag, and the mixture in this collection tends toward the “meh.” You can only read so many stories about the evacuation of Echo Base, Vader force-choking an incompetent, or the chaos caused by Lando’s announcement that the Empire has taken over Cloud City before they all start blending together.

To me, the more memorable stories focused on what main characters were doing/thinking when off-camera. Perhaps some of the ones from the “everyman”/”everystormtrooper” point of view would have stood out if there hadn’t been so many of them (and let’s not forget the compulsive need to check the “woke” box by having all 3 or 4 instances of (non-explicit) sex/romance be LGBTQ). Overall, if you’re a big Star Wars fan, you’ll probably enjoy at least some of this collection, but (as with many thematic anthologies) you should only read a story or two at a time to keep the “didn’t I just read this?” feeling at bay.