Take that, Mafia!

Image result for the french connection bookTitle: The French Connection:
A True Account of Cops, Narcotics, and International Conspiracy
Author: Robin Moore
Genre: True Crime
Pages: 284
Rating: 3.5 of 5

In 1960’s NYC two off-duty narcotics officers notice a previously unknown mobster type consorting with known criminals at the Copacabana. This kicks off a months long investigation involving the mob, French heroin traffickers, and soooo much surveillance.

I’d say that at least 70-80% of the book describes surveillance, including interminable scenes in which we get blow by blow descriptions of the exact routes taken in shadowing the suspects as they performed evasive maneuvers. I think that these scenes would be interesting for a New Yorker, but for a non-local they can get a bit tedious and confusing.

Overall, it’s interesting to see an old-school investigation where (for the most part) the good guys win, but this is not an action-oriented book. I’ve never seen the movie based on this book so I can’t compare them, but my guess is that there’s some serious embellishment to make it acceptable movie fare.

Rise & Fall of a NYC Mafioso

Image result for I mobster gold medal bookTitle: I, Mobster:
The Confession of a Crime Czar
Author: Anonymous (Joseph Hilton Smyth)
Genre: Crime/Noir, Historical Fiction
Pages: 160
Rating: 3.5 of 5

Mafia tropes, historical references, and self-justification abound in this fictional memoir. It’s all pretty straightforward; no high action or dramatic plot twists, just a matter-of-fact description of the rise and fall of a New York City mafioso in the 1930’s-40’s. Our protagonist/narrator, Tony (what other name would you give a fictional Italian mobster?), interacts with real-life mobsters like Charles “Lucky” Luciano and Louis “Lepke” Buchalter during the events leading up to and following the formation of “The Commission” and Thomas E. Dewey’s time as prosecutor and DA of NYC.

Throughout the book we are treated to Tony’s view of the absolute corruption of “law and order,” justification for his own actions (and the existence of the mafia), pride in his cleverness and accomplishments, and feelings of being trapped and forced into this life. It reminded me a bit of a much less literary version of Robert Graves’ I Claudius and Claudius the God (just with the mob instead of the Roman Empire). It’s worth a read if you’re into crime/noir.