Title: The Last Ritual
(An Arkham Horror Novel)
Author: S. A. Sidor
Genre: Cosmic Horror
Rating: 2.5 of 5
Future Release Date: 11/3/20 – Thank you to the author and publisher for a free eARC via NetGalley. This does not affect the content of the review.
I have never played any of the H. P. Lovecraft-inspired Arkham Horror cooperative games, so I have no idea how well this novel ties into the characters and mechanics. However, I have read a lot of Lovecraftian fiction and 1920’s detective fiction and, to be perfectly honest, this comes across as a watered down version of both.
There are some decent moments of surrealistic horror and creeping dread, but outside of those moments the writing and plotting did not impress. The investigation is desultory, characters react to disturbing events with unbelievable sangfroid, and the only real indication that we’re in the 1920’s is the presence of prohibition and bootleggers. Even “witch-haunted Arkham” seems watered down, deriving its sinister reputation primarily from prohibition-related crime and corruption rather than the sorts of things that Lovecraft et al. wrote about.
The horror set pieces saved this from being a complete waste of time, but its thirdhand nature (novel based on a game based on a writer’s works) weakened it to the point where it nearly slid into Scooby-Doo territory at times. If you’re a fan of Arkham Horror games you might want to give this a try, but if you’re just looking for Lovecraftian cosmic horror you can do a lot better elsewhere.
Title: Made to Kill
(Ray Electromatic Mysteries: Book 1)
Author: Adam Christopher
Genre: Science Fiction Noir
Rating: 4 of 5
First, a huge thank you to The BiblioSanctum for hosting the book giveaway where I won this (and its sequel)!
I love both science fiction and detective/noir fiction (of the 1920’s-50’s variety – especially Raymond Chandler). This excellent book is a mashup of the two, and to make things even better it intentionally follows the style of Raymond Chandler. The author pictures it as the sci-fi novel Chandler never wrote and prefaces it with this quote from one of his letters: “Did you ever read what they call Science Fiction? It’s a scream. It is written like this…”
Our first person narrator protagonist is the last robot on earth. He used to work as a PI, but now uses that as a cover for his new profession of hit man in an alternate 1960’s Los Angeles. His rechargeable battery and 24 hour memory limit are a challenge, so the room-size computer, Ada, is his boss and the real brains of the operation. The only part of the worldbuilding that felt a little “off” was that he didn’t get more attention from average people on the street, what with being the last robot on earth. I don’t want to say much about the case due to spoilers, but you can expect a lot of the kinds of elements you’d find in the pulps (of both the Amazing Stories and Black Mask varieties).
The narration is delightfully snarky like Chandler, though not rising to the level of cleverness found in his Philip Marlowe stories. The one narration things that got on my nerves after a while was how often he commented that when he smiled, raised an eyebrow, etc. it was only on the inside because his face is immobile. It got a bit repetitive (kind of like how Harry Dresden mentions his duster every few pages in the Dresden Files series). The ending was a little abrupt and some of the characters’ actions/motivations were a bit confusing, but that’s pretty par for the course for this kind of detective story (e.g. in Chandler’s The Big Sleep we’re never told who committed one of the murders). Overall: a fun mashup, and I’m looking forward to reading the next one (though I’m putting it off until I finish a couple other books I’m in the middle of so that I can make it last).
Title: Red Harvest
Author: Dashiell Hammett
Genre: Noir/Detective Fiction
Rating: 4.5 of 5
I first read this book five or six years ago, and I was hooked. Since then Noir / Hardboiled Detective pulp fiction from the 20’s-50’s has been my go-to escapist genre. With the possible exception of Raymond Chandler, nobody writes this kind of story better than Dashiell Hammet.
This first novel-length adventure of the Continental Op (whose name we never discover) has everything you would expect from the genre: bootleggers, gamblers, blazing guns, widespread corruption, murder, mayhem, moral ambiguity, 1920’s gangster slang, and a femme fatale or two. The unnamed Continental Op (basically a Pinkerton detective) is tasked with cleaning up the corrupt town of Personville/Poisonville and, well, the book’s title pretty much says it all.
This book serves as a good introduction to the Continental Op, who also appears in The Dain Curse and a slew of short stories. He is short, stout, and incredibly stubborn. His modus operandi for solving cases consists mostly of verbally poking at suspects and piecing things together from their (often violent) reactions. By the end he has a working theory of how everything fits together and everyone guilty is dead, under arrest, or otherwise out of the picture. Dashiell Hammett seldom reveals whether the Op’s reconstruction of events is entirely accurate, but it’s good enough to get things done and in Hammett’s murky world that’s good enough.
Title: Introducing Garrett, P. I.
(Omnibus containing Sweet Silver Blues, Bitter Gold Hearts, & Cold Copper Tears)
Author: Glen Cook
Genre: Hardboiled Detective / Fantasy
Rating: 4.5 of 5
Glen Cook’s wisecracking private investigator fits right in with Sam Spade, Philip Marlowe, and the rest of the hardboiled detective crowd from the Dime Detective and Black Mask era. The only difference is that he lives in a world inhabited by elves, trolls, sorcerers, vampires, and such. Before I got this book for my birthday I wasn’t quite sure what to expect, but thought that it might be something in the satirical farce family (something along the lines of Discworld).
It turns out that Cook plays the story pretty straight. The humor comes mostly from Garrett’s smart mouth and quirky associates as it does in most decent detective fiction. The world is well-constructed with its own politics, religions, etc. that (mostly) do not ape the real world in a ham-fisted satire kind of way. The plots are fairly messy with the occasional loose end, but mostly in the way that characterizes pulp detective stories rather than being due to poor writing.
Garrett’s womanizing and cynicism toward faith made me cringe occasionally, but overall I greatly enjoyed this book and look forward to reading more in the series.