Final Mini-Reviews

It’s time for one last round of mini-reviews: Two on Tolkien and two on grace.

Title: The Fall of Gondolin
Authors: J. R. R. Tolkien & Christopher Tolkien
Genre: Fantasy
Pages: 303
Rating: 4 of 5

The tale of the destruction of the hidden elven kingdom of Gondolin was one of J. R. R. Tolkien’s earliest (and most oft-rewritten) creations. In this book, Christopher presents every available version of the story from his father’s papers. Almost everything here could be found in previously published  works, but it was nice to have all of Tolkien’s brilliant writing on this grand tragedy in one place. As usual, I found many of Christopher’s notes pedantic and redundant, but am thankful for his work in collecting and publishing his father’s work.

Title: A Middle-Earth Traveler:
Sketches from Bag End to Mordor
Author/Artist: John Howe
Genre: Fantasy/Art
Pages: 192
Rating: 4.5 of 5

My wife gave me this beautiful book for Christmas. It showcases John Howe’s gorgeous sketches, focusing primarily on the lands, peoples, and creatures of Middle Earth rather than main characters. A few colored pictures are mixed in with the sketches, but most are so dark that they lack the exquisite detail of the sketches. John Howe’s brief commentary throughout was okay, but I did catch at least one error (he mentions that Sauron was incorporeal and trapped in Barad-Dur which is not the case in the books). The fantastic artwork more than makes up for the so-so narration.

Title: The Grace and Truth Paradox
Author: Randy Alcorn
Genre: Applied Theology
Pages: 96
Rating: 4 of 5

Randy Alcorn reminds Christians that Jesus is described as “full of grace and truth” (John 1:14), and that we are called to be like him. The strength of this book is in beautifully describing the depth of God’s grace (undeserved favor) toward us. It is a reminder of why the Gospel is the Good News. Unfortunately, the applications about what it looks like to reflect that same kind of love and grace to others without compromising on objective truth were almost too generic. It would have been nice to see a few “where the rubber meets the road” examples…which is what the next book provides.

Conscience: What It Is, How to Train It, and Loving Those Who Differ by [Naselli, Andrew David, Crowley, J. D.]Title: Conscience:
What It Is, How to Train It, and Loving Those Who Differ
Authors: Andrew David Naselli & J. D. Crowley
Genre: Applied Theology
Pages: 160
Rating:  5 of 5

Andrew Naselli & J. D. Crowley give a detailed overview of what the New Testament has to say about the conscience: that inner sense of right and wrong. A large part of the book is taken up with what people in my circles like to call “issues of Christian liberty” (i.e. issues on which God has not given explicit moral guidance and over which committed Christians may differ). The authors offer wise, biblical advice on showing grace and love to those whose consciences differ from our own. I highly recommend this book to any Christian, especially if you grew up in the kind of rules-y (don’t drink, go to theatres, use playing cards, listen to rock music, etc.) environment that tends to go along with conservative theology.

Music, Madness, & Mephistopheles

Image result for Doctor Faustus book cover Knopf

Title: Doctor Faustus:
The Life of German Composer Adrian Leverkuhn as Told by a Friend
Author: Thomas Mann
Translator: H. T. Lowe-Porter
Genre: Classic
Pages: 510
Rating: 3 of 5

Despite the review title, don’t expect Mephistopheles to show up much in this modern retelling of the Faust legend. The suave devil (who never actually gives a name) doesn’t put in an appearance until about halfway through the book, if he’s real at all. Mann leaves it up to the reader whether the devil is actually there or is a product of syphilitic madness …or whether it even matters one way or the other.

To Mann, the important thing seems to be exploring a variety of philosophical themes. Most central to the plot is the connection between artistic genius and suffering, especially in the form of madness & alienation. Other themes includes the character and history of the German people (especially as it relates to losing both World Wars), avant garde art, apocalyptic imagery, and highly detailed music theory.

As the subtitle indicates, the novel is presented as a biography of the tragic life of (fictional) composer Adrian Leverkuhn. The narrator sounds agitated, apologizing for his poor organization, jumping around in the story, and digressing into his own personal life (he, like the author, is a German living through World War II). I found the style believable but somewhat irritating. Leverkuhn himself is presented as a sociopathic genius whose musical masterpieces are only fully appreciated by the few truly cultured people. As in any Faust story, in the end, there’s a price to be paid when you make a deal with the devil (or contract syphilis).

Overall, there were a lot of interesting ideas in this book, but after 500+ pages it felt overblown and pretentious.

Additionally: I’ll be using this for my 20th Century Classic category at the Back to the Classics Challenge.