Two More Classics

I’ve completed two more books for the Back to the Classics Challenge 2021, and it’s time to review them!

Jamaica Inn by [Daphne du Maurier]

Title: Jamaica Inn
Author: Daphne du Maurier
Genre: Classic Potboiler
Pages: 352
Rating: 2 of 5

For me, Daphne du Maurier is very hit-or-miss. I greatly enjoyed the morally ambiguous psychological gothic-ness of Rebecca and My Cousin Rachel, but thought The Scapegoat was improbable to the point of eyerolling. Jamaica Inn was another miss for me. On the Gothic spectrum it is much closer to Ann Radcliffe than the Brontë Sisters.

The bones of the story aren’t terrible (orphaned young woman sent to live with her aunt and uncle [by marriage] discovers that Uncle Joss Merlyn and his Inn have a deservedly sinister reputation), but it was all so melodramatic. If there had been some sex scenes thrown into the instalove-with-a-rogue storyline I would have thought I was reading some hack Harlequin Romance, not a modern classic. Nevertheless, I will be using this for my Classic by a Woman Author category.

Chaka by Thomas Mofolo

Title: Chaka
Author: Thomas Mofolo
Translator: Daniel P. Kunene
Genre: Classic Historical Fiction
Pages: 192 (including translator’s introduction)
Rating: 3.5 of 5

This ended up being a very different book than what I expected. I thought that it was going to be a hero-worshippy fanboy account of King Chaka/Shaka’s greatness and glory like you usually get in historical fiction centered around a military hero or empire builder.

While there is some admiration for Chaka’s fighting prowess and the power of the Zulu nation, the overall story arc is of boundless ambition leading to insatiable brutality and tragic downfall. By the end, Chaka comes out looking more like Josef Stalin (or any other sadistic, paranoid, egomaniacal autocrat) than anyone admirable.

The narration of this tragedy feels as if you are listening to a folksy master storyteller who throws in occasional asides, explanations, rabbit trails, and editorial comments. I don’t know much about the real Chaka, so I couldn’t say how much liberty the author has taken with the story. However, I suspect that it has only a nodding acquaintance with the truth. There are many mythical elements (the translator interprets them as personifications of character traits), and the level of bloodthirstiness and brutality seem highly exaggerated. Overall, this was not unlike an over-the-top Shakespearian tragedy in the form of a folktale rather than a play.

I will be using this for my Classic by a BIPOC Author category.

The Horror! The Horror!

King Leopold's Ghost: A Story of Greed, Terror, and Heroism in Colonial Africa by [Hochschild, Adam]Title: King Leopold’s Ghost:
A Story of Greed, Terror, and Heroism in Colonial Africa
Author: Adam Hochschild
Genre: History
Pages: 306 (plus citations, etc.)
Rating: 4.5 of 5

In the mid-1800’s, Leopold II, King of the Belgians, claimed a massive chunk of central Africa. With the help of trading companies and their armed “sentries” he brutally exploited the people in it for his own personal enrichment while convincing the world that he was a great humanitarian. King Leopold’s Ghost examines the sordid history of the Belgian Congo, the land that inspired Joseph Conrad’s bleak Heart of Darkness.

Hochschild covers everything from the early exploration of central Africa to the results of the international protest movement spearheaded by journalists and Protestant missionaries and all the horror in between. Reading about exploitation, mutilation, and death on such a massive scale is not easy, but is crucial to understanding the history of European colonialism in Africa and its continuing impact.

The author definitely “has it out” for Leopold, but I’m not sure how you would be completely dispassionate about someone responsible for deaths on a scale similar to Hitler or Stalin. Africans are presented in a balanced manner, emphasizing their victimization without falling into the idealized “noble savage” mindset or ignoring the complicity of some in the slave trade. Europeans and Americans working against the cruelties of Leopold’s rule are portrayed sympathetically without glossing over their blind spots, weaknesses, and limited impact.

I highly recommend this book for anyone interested in the history of Africa and/or European Colonialism. The overall style is a very readable “popular level” but features high quality primary-source research.

(Also, this is my sixth book read for the 2019 TBR Pile Challenge).