Title: The Beetle
Author: Richard Marsh
Genre: Victorian Era Horror
Rating: 2 of 5
The Beetle was published the same year as Dracula and originally outsold it. Having read it, I’m not surprised that Stoker’s masterpiece has endured while this tale of an ambiguously-gendered Egyptian were-beetle seeking revenge on a British MP fell by the wayside.
The book starts out strong with some truly creepy moments involving human misery and supernatural compulsion. Unfortunately, the story became increasingly less interesting as we detour into a Victorian love triangle (or possibly pentagon) complete with a disapproving parent and wealthy spinster. One of our narrators at this point is a mad scientist who talks a bit like Bertie Wooster but whose mad science ends up playing no significant part in the plot (such a waste!).
The author never managed to recover the creepiness of the first quarter of the book. Once the supernatural stuff really picks up again, there’s the usual product-of-its-era casual xenophobia, sexism, etc., an uninspired telegraphing/dashing around trying to find the damsel in distress chase sequence, and a ridiculously abrupt ending.
I was ready to give this 3 stars as passable product-of-its-era Gothic horror if the author could land the ending, but it was so bad that it brought down the entire book. It feels like he couldn’t decide how to end it, got bored with writing, and covered it all up with a couple dei ex machina and a liberal dose of “it was too horrible for words.” Weird/horror stories don’t need to give the reader all the answers, but this ending was a complete cop out. Stick with Dracula!