Title: The Deep
Authors: Rivers Solomon, Daveed Diggs, William Hutson, & Jonathan Snipes
Rating: 2.5 of 5
Future Release Date: November 5, 2019 (Thank you to the authors and publisher for a free copy via NetGalley)
The worldbuilding and overarching concepts in this book are very interesting. We are introduced to an underwater society (basically mermaids though that word is never used) descended from enslaved African women who were tossed overboard during the middle passage. As long as you are willing to suspend disbelief and accept that quite a few things about them can best be explained as “because magic,” it’s a pretty cool concept.
The authors explore themes related to painful history and identity. Our protagonist is the society’s “historian”: a role that seems to be ripped straight out of Lois Gowry’s The Giver (though repurposed a bit). Most of the book focuses on her trauma from having to bear the painful memories of all her ancestors while the rest of her society live essentially without memory.
How the “historian’s” trauma was handled is where the book lost me a bit. Apparently the authors felt that the best way to convey the depth of this trauma is to have her go over and over and over it in almost the exact same words for pages on end, circling back to it repeatedly while giving short shrift to actually describing the memories. Repetitive morbid introspection is a pet peeve of mine, and this book has it in spades. Add to this a completely tangential semi-detailed discussion of “mermaid” sexuality that seems designed purely to check off the “look how woke we are” box, and I feel like the book’s pace was completely off. Overall, interesting story, but it would have been much better as a short story (there was that much traumatized whining).
(Also, this book developed out of a rap song by Clipping which you can find here)