Ever since stumbling across Dashiell Hammett’s Red Harvest at a library book sale six or seven years ago, noir/hardboiled pulp has become one of my favorite escapist genres (especially the stuff written from the 1920’s-50’s). I already reviewed a couple noir tales this year – here are three more:
Title: Night Has a Thousand Eyes
Author: Cornell Woolrich
Audiobook Narrator: Angela Brazil
Genre: Psychological (Supernatural?) Thriller
Rating: 4 of 5 for the story / 2 of 5 for the narration
Cornell Woolrich doesn’t rise to quite the same level as Dashiell Hammett or Raymond Chandler, but I would probably place him in my top five pulp authors. He tends to use odd descriptions that are more weird or unintentionally humorous than atmospheric (e.g. “her hand closed on the bill like a voracious pink octopus”), but those aside he can plot a brooding, paranoid crime story with the best of them.
This book differed a bit in subject matter from other Woolrich stories I have read. The same dark paranoia pervaded the plot, but the subject matter centered around prophecy and fate. What do you do when the date of your death is foretold by a man who has repeatedly predicted the future with perfect accuracy? Is there really something supernatural at work or is it some sort of scam? The book was perhaps a bit overlong for extended brooding on this theme, but overall it was an interesting psychological thriller (and had fewer of his weird similes and metaphors than usual).
The narrator of the audiobook I listened to was not great. I think she was trying to affect a cynical, world-weary tone, but it mostly came off obnoxiously flat and slow. Shatnerian pauses added to the painfulness and I ended up listening to it at 1.5X speed to get it up to a more normal reading rate. Avoid the Audible version!
Title: The Getaway
Author: Jim Thompson
Genre: Crime Fiction
Rating: 4.5 of 5
Jim Thompson has a knack for bringing seedy, nasty criminals to life. He plays on readers’ interest in reading about the underworld but without making the criminals into likeable, sympathetic people. His criminals might have a lot of charisma, but he fully portrays their self-centered exploitive destruction of themselves and the innocents around them.
I have previously read his treatment of con men in The Grifters and a serial killer in The Killer Inside Me. In The Getaway we are treated to an inside look at a husband-and-wife pair of bank robbers. The downward spiral to destruction is typical well-written Jim Thompson, but the ending detours into an unusual dystopian setting. There is an odd shift in tone, but I think it worked very well and rounded out the story satisfactorily. If you like crime noir, this one is well worth reading.
Title: Zero Cool
Author: John Lange (Michael Crichton)
Genre: Action Thriller
Rating: 2.5 of 5
While he was in med school Michael Crichton earned money by writing under the pseudonym John Lange. According to some things I read, these books were meant to be cheap, trope-y pulp thrillers completely lacking in originality. If that was truly the goal…bullseye.
Zero Cool features your basic “random guy gets caught in the middle of criminal shenanigans” pulp plot. He hits all the tropes of femme fatale, bizarre Bond-style villains, a mcguffin, amazingly convenient coincidences, etc.. The dialogue in this sort of book is seldom realistic due to smart-mouthed, quippy characters, but Lange/Crichton’s dialogue settled for stilted instead of snarky. This was definitely on the very low end of the pulp fiction scale and probably not worth your time unless you’re a big Michael Crichton fan who is curious about his earliest work.