It has been almost three weeks since I last posted here, but I’m still alive and reading. I have been in a bit of a reviewing slump due to migraines, holidays, and work, but I hope to get back into the “at least once per week” schedule now.
Author: Daphne Du Maurier
Genre: Modern Classic/Gothic
Rating: 4 of 5
In The Picture of Dorian Gray, Dorian describes a book as, “I didn’t say I liked it…I said it fascinated me. There is a great difference.” I’ve used that quote in a few other book reviews (e.g. The Great Gatsby, and Dorian Gray itself), and it applies to this book as well. The characters sparkle with realism, but are some of the most unpleasant people you can imagine and treat each other appallingly.
Our unnamed narrator is painfully shy, socially awkward, and pathetically affection-starved. When she marries the brooding Maxim de Winter she is thrown into an upper class country manor lifestyle for which she is completely unprepared. Between the coldness of Maxim and the spiteful hatred of Mrs. Danvers the housekeeper (that window scene!), our narrator is adrift in a sea of insecurity and neuroses. She has little idea of her responsibilities or others’ expectations, and she constantly wonders what others are thinking and saying about her. She mentally plays out vivid imagined scenes of the disapproval that might be going on behind her back and the painful course that future events could take. Much of her awkwardness and self-doubt rang true to me as I am an extreme introvert in a job that involves a lot of social interaction and public scrutiny (though I hope I’m not anywhere near as neurotic and needy as she is).
Hovering over all this, driving it, and making it oh so much worse is the memory of Maxim’s first wife: the beautiful, masterful Rebecca. Her life was cut tragically short, and the more that our narrator learns about her and how much everyone seemed to adore her, the more insecure she becomes…and (because this is a Gothic novel) the more she begins to suspect that something sinister is boiling below the surface.
Eventually things come to a head, giving our heroine a chance to step up and show what she’s really made of. She does change and develop in her relationship with Maxim, but whether that is ultimately a good thing is questionable at best. The behavior of several “good” secondary characters in the later part of the book (though understandable and true to life) was disappointing to me.
Overall, this is a wonderfully atmospheric read featuring a neurotic narrator, plenty of moral ambiguity, and some downright despicable behavior. To me, its tone felt like a cross between The Great Gatsby and The Woman in White. I think that it worked, but it’s probably not for everyone.
One final thing: I am using this for my Classic By a New-To-You Author category over at the Back to the Classics 2018 reading challenge.